Mega-Success, Downfall and Sentimentalism

Libertarian columnist Robert Ringer writes,

Seems like we’ve been here before … many, many times. Whitney Houston’s tragic death is the latest in a long string of drug- and alcohol-related celebrity deaths, going back to Jimi Hendrix and Janis Joplin in 1970, Jim Morrison in 1971, Elvis in 1977, Andy Gibb and John Belushi in the eighties, and, of course, Michael Jackson in 2009. And these are just a few of the names that come quickly to mind.

When a show-business icon dies prematurely, we tend to focus on his/her death rather than the life that led to that death. In the case of Whitney Houston, her travails were in the news so much over the years that even I — not a frequent showbiz reader — was aware of them. Anyone who watched the evening news couldn’t help but know about her bouts with drugs and alcohol, and, perhaps even worse, her fifteen-year marriage to a man who physically abused her.

Mr. Ringer says that immaturity (from youth) compounded by loneliness, rather than mega-success brings about the typical downfall of many celebrities.

In my view, mega-success and too much expectations of one’s value to the world can exacerbate ‘immaturity’, aside from inability to adjust to realities. In the average person, wisdom usually supersedes immaturity as people age. So if age doesn’t usher in maturity, then there must be something else wrong.

And possibly intractable egotism bloated by mega-success can be a factor in one’s downfall (not necessarily limited to celebrities). Again the inability to adjust with changing times could bring about loneliness and frustrations.

Of course, all the above depends on the individual’s value scales. This means that while some celebrities fall for the above traps, many others don’t.

But there is another factor I would like to point out. While I lament the loss of many artists of my generation, I usually get miffed at the excessive sentimentality expressed by many to recently deceased celebrities.

For me, this represents an action inconsistent compared to when the celebrity lived. Then, nobody seems to given a whit to what the celebrity did (most especially when they were down). Somewhat like schadenfraude, death becomes an opportunity for credit grabbing, promotion of shows and for social signaling.

Yet this seems part of how public opinion gets molded.